Las óleos de todo PUGET, Pierre
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ID |
Image |
Painting (From A to Z) |
Details |
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43584 |
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Great Vessel of War |
28 x 41,8 cm |
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43590 |
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Navigation before a Promontory |
20 x 23,4 cm |
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8688 |
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Portrait of the Artist's Mother af |
1651-55
Oil on canvas, 60 x 50 cm
Private collection, Nimes |
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78464 |
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Self portrait |
17th century
Medium Oil on canvas
cyf |
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8694 |
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Self-portrait ag |
1668-69
Oil on canvas, 47 x 38 cm
Mus??e Granet, Aix-en-Provence |
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8695 |
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Self-portrait in Old Age af |
1690-92
Oil on canvas, 75 x 61 cm
Mus??e du Louvre, Paris |
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8689 |
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St Peter Holding the Key of the Paradise sg |
1653-59
Oil on canvas, 183 x 87 cm
Parish Church, Grandcamp |
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43598 |
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Study of a Horse |
34,5 x 27,7 cm |
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8698 |
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The Education of Achilles by Chiron ar |
c. 1690
Oil on canvas
Mus??e des Beaux-Arts, Marseille |
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8693 |
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The Holy Family at the Palm-tree g |
1662-63
Oil on canvas, 210 x 140 cm
Private collection, Aix-en-Provence |
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8690 |
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The Sacrifice of Noah f |
1654
Oil on canvas, 92 x 62,5 cm
Mus??e des Beaux-Arts, Marseille |
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63832 |
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The Stoning of St Peter |
1654 Terracotta, 38 x 51 cm Mus?e des Beaux-Arts, Marseille The fragment (the upper part of the relief is missing) was probably a study to a panel of an unidentified altarpiece. The iconography of the relief is related to the painted versions of the subject executed by the Genoese painters of the 17th century, notably Giovanni Andrea Ferrari and Gioacchino Assereto.Artist:PUGET, Pierre Title: The Stoning of St Peter Painted in 1651-1700 , French - - painting : religious |
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8692 |
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The Visitation (detail) |
1659
Oil on canvas
Mus??e Granet, Aix-en-Provence
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8691 |
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The Visitation af |
1659
Oil on canvas, 252,5 x 173,5 cm
Mus??e Granet, Aix-en-Provence |
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43587 |
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Two Vessels under Sail |
33,3 x 51,1 cm
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43583 |
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Vessel Firing a Salvo |
41 x 64,5 cm
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43588 |
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View on the Sea Time |
27,2 x 44,7 cm
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8696 |
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Virgin Giving the Scapular to St Simon Stock sg |
Oil on canvas, 78,5 x 53,5 cm
Mus??e des Beaux-Arts, Marseille |
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| PUGET, Pierre
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| French Baroque Era Sculptor, 1620-1694
French sculptor, painter, draughtsman and architect. Puget was one of the outstanding artists of his century, but his style, formed by the Italian Baroque, did not however always find favour in the classicizing atmosphere of the French court, where Jean-Baptiste Colbert would describe him in 1670 as 'a man who goes a little too fast, and whose imagination is a little too heated'. Although the son of a master mason, Simon Puget (d 1623), Puget was largely self-taught, as were his brother Gaspard Puget (1615-after 1683), an architect, and his son Fran?ois Puget (1651-1707), a painter. Apprenticed in 1634 to a wood-carver, Jean Roman, in Marseille, he left in 1638 for Italy, spending some years in Florence and Rome close to Pietro da Cortona, presumably as a stuccoist and painter, although his part in the decoration of the Palazzo Pitti, Florence, Cortona's main project of these years, is not clear. From 1643 he practised sculpture and painting at the Toulon Arsenal, France's largest naval shipyard, where he was appointed to the wood-carving workshop: around 1645, for instance, he designed and supervised the decoration of the ship Le Magnifique (in 1646 renamed La Reine; destr.). According to some sources, in 1646 he made a second journey to Italy,
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